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In 1983, two nationally recognized leaders in the fields of music and research technology—The Peabody Conservatory and The Johns Hopkins University—combined skills and resources to provide what is considered the finest training program of its type available in the United States. Now the program has entered the digital age, and is still the most comprehensive program of its kind in the world.

The Bachelor of Music in Recording Arts and Sciences, a unique double-major degree program, is known as the American counterpart to the European Tonmeister training program. The Peabody/Hopkins degree combines the courses and performance requirements of Peabody’s Bachelor of Music Program along with special courses in the Recording Arts and Sciences. The relevant electrical engineering, math, science, and computer courses are taken at the G.W.C. Whiting School of Engineering of The Johns Hopkins University. The Whiting School is a leader in the field of electrical engineering and computer science. Students in the Recording Arts and Sciences degree program receive extensive practical experience, culminating in internships with local radio, television, and recording companies.

Since the inception of the program, graduates have obtained a wide variety of positions with the audio / video recording and post-production industry, including ones with National Public Radio, national public and commercial radio and television stations, record companies, firms in the audio equipment industry, video post facilities and with universities and colleges that are either introducing or upgrading recording programs. All graduates are working in their chosen field, as a professional performer, audio/video engineer, or instructor. The rigorous and comprehensive nature of the Peabody/Hopkins Bachelor of Music in Recording Arts and Sciences has made it a prestigious credential for the job market.

In 1998, the Master of Arts degree in Audio Sciences ushered in a new era in audio education. The program was developed in conjunction with members of the professional audio community to provide the technical knowledge and musical skills necessary to work at an advanced level in the field of audio/video and/or acoustics. The program is intended both for current audio professionals wishing to obtain a post-baccalaureate credential and individuals with a background in science, technology, and/or music seeking additional training in order to gain employment in the audio industry.


Scott Metcalfe

Scott Metcalfe is an audio engineer and music technologist based in Baltimore, where he is director of Recording Arts and Sciences at the Peabody Institute, program coordinator for the Sound Concentration of Hopkins’ Advanced Academic Programs MA degree in Film and Media, and associate director of The Sound Sleep Studio.

Geoff Knorr

Geoff Knorr is a graduate of the Recording Arts program ('08), with degrees in composition as well ('07 BM, '08 MM). Since graduating he has been active in the video game industry, recently working as a composer, orchestrator, and sound designer for Firaxis Games in Sparks, MD.

A. T. Michael MacDonald

A. T. Michael MacDonald has recorded, mastered, and produced over 1,000 commercially released music recordings for such labels as Atlantic, Blue Note, Chesky, Columbia, Concord, EMI, Enja, JVC, Nonesuch, Palmetto, Rounder, Telarc, Verve, and Warner, including two Grammy winners.

Drew Mazurek

Drew Mazurek is an experienced recording engineer/mixer with over 20 years in the music industry, and has owned and operated his own studio since 1988. Mazurek has spent many years as a freelance engineer working in studios around the world.

Ed Tetreault

Ed Tetreault is currently the manager of the Recording Arts & Sciences department of the Peabody Conservatory of the Johns Hopkins University, and has extensive experience in the field of audio recording.