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Regarded as among the world’s elite training grounds for more than a century, the department of composition at Peabody is one of the most sought after programs of its kind in the world.

As a division of The Johns Hopkins University, Peabody takes its place alongside the institution’s other internationally renowned centers of research and learning, shaping the role of music in the 21st century.

Current faculty members are among the most honored composers working today. Their works have appeared internationally with major orchestras, ensembles, and soloists across the globe, among them the New York Philharmonic, Los Angeles Philharmonic, Cleveland Orchestra, Seattle Symphony Orchestra, Atlanta Symphony, Dallas Symphony, Baltimore Symphony Orchestra, Minnesota Opera, London Sinfonietta, String Soloists of the Berlin Philharmonic, Bang on a Can All-Stars, MusikFabrik, So Percussion, and Ensemble Klang; and festival appearances around the world.

They continue the tradition of great composers past who have served on the Peabody faculty over the generations – composers including Henry Cowell, Nadia Boulanger, Elliot Carter, Peter Mennin, Ernst Krenek, Benjamin Lees, Earle Brown, Hugo Weisgall, Jean Eichelberger Ivey, Robert Hall Lewis, George Walker, Moshe Cotel, Chen Yi, Christopher Theofanidis, and Nicholas Maw. The commitment to creating the ideal environment for the composers of tomorrow continues today.

Peabody composition alumni can be found teaching at elite institutions across the United States and abroad, and are regular winners of prestigious fellowships and competitions. Over just the past few years Peabody students have been Fulbright Fellows; Carnegie Hall Commission recipients; the American Composers Orchestra Underwood Commission recipients; participants of the Minnesota Orchestra Readings Program, the Cabrillo Music Festival Program, the Silk Road Project, and the ACO/Nashville Symphony Orchestra Reading Program; and winners of prizes including the American Society of Composers, Authors and Publishers top award — the Nissim Prize, ASCAP Morton Gould Young Composer and BMI Student Composer Awards. Alumni of Peabody’s composition department are Guggenheim Fellows, Rome Prize Fellows, Barlow Prize, and Berlin Prize recipients; recipients of Fromm Foundation Awards, prizes from Darmstadt and Gaudeamus, among many, many others.

Faculty

Oscar Bettison

Described as possessing “an unconventional lyricism and a menacing beauty" and a “unique voice,” British/American composer Oscar Bettison's work demonstrates a willingness to work within and outside the confines of concert music.

Du Yun

Pulitzer Prize-winner Du Yun, born and raised in Shanghai, China and currently based in New York City, is a composer, performer, activist, and curator for new music, who works at the intersection of orchestral, opera, chamber music, theatre, cabaret, musical theater, oral tradition, public performances, sound installation, electronics, visual arts, and noise.

Georg Friedrich Haas

Distinguished Composer-in-Residence

One of the world’s most acclaimed and respected composers, Georg Friedrich Haas will continue as Distinguished Composer-in-Residence at the Peabody Institute of the Johns Hopkins University during the 2019-20 academic year. Haas will deliver a series of master classes and lectures for Composition students and others.

Michael Hersch

Widely considered “one of the most fertile musical minds to emerge in the U.S. over the past generation,” (The Financial Times of London), Michael Hersch continues to compose music of tremendous power and invention.

Felipe Lara

Praised by the New York Times as "a gifted Brazilian-American modernist" whose works are “brilliantly realized”, “technically formidable, wildly varied”, and possess “voluptuous, elemental lyricism”, Felipe Lara’s work — which includes orchestral, chamber, vocal, film, electroacoustic, and popular music—engages in producing new musical contexts.

Kevin Puts

Winner of the 2012 Pulitzer Prize for his debut opera Silent Night, Kevin Puts has been hailed as one of the most important composers of his generation. Critically acclaimed for his distinctive and richly colored musical voice, his works have been commissioned, performed, and recorded by leading orchestras, ensembles and soloists.

Similar Programs

Computer Music

Computer Music is offered as a four-year, undergraduate degree program that combines music and technology with a strong focus on composing both traditional and experimental music. Students work with the latest digital synthesis hardware and software and learn through private and classroom instruction to develop composition techniques which take advantage of the unique capabilities of electronic and digital music technology. Studies include computer composition, computer performance and improvisation, and multimedia studies (including audio, video, dance, and graphics with music). Students have the opportunity to earn a Master of Music degree in Computer Music with one additional year of study by applying to the five-year BM/MM program.

Music for New Media

Offered as a four-year undergraduate degree program, Music for New Media is designed for students with a particular interest in film scoring and composing for emerging media platforms. Students are trained in sound design and music composition for film, TV, video games and virtual/augmented reality. Students study core subjects including composition, instrumentation/orchestration, music theory, ear training, sight reading, keyboard studies, and programming. Compositions for traditional instruments are scored through software emulation and Virtual Instruments, with many opportunities to record and mix music in Peabody's world-class professional recording studios. Capstone projects undertaken in the final year of the degree will take advantage of the wide spectrum of unique collaborations possible at Johns Hopkins.