All Degrees (BM, MM, GPD, DMA)

Instruments and their respective requirements are listed alphabetically.

Archlute

  • Two contrasting movements by Giovanni Zamboni
  • Two contrasting movements of 17th century Italian music

Baroque Cello

  • Two movements from an unaccompanied Bach suite
  • Two contrasting movements from an 18th-century sonata
    • Applicants for graduate degrees should additionally prepare two movements from a continuo sonata or a concerto by a second composer

Baroque Flute

  • One movement from a sonata by Bach
  • One fantasia for solo flute of G.P. Telemann
  • A prelude from one of the solo suites of J. Hotteterre
  • A movement from a late 18th-century sonata (past 1750)

Baroque Lute

  • Two contrasting movements by Silvius Leopold Weiss
  • A movement of 17th-century French lute music (Gaultier, e.g.)

Baroque Oboe

  • A sonata by Handel or Telemann
  • A work by a French Baroque composer
  • A work of the applicant’s choice

Baroque Violin

  • One movement from an unaccompanied Bach sonata or partita or a Telemann fantasy
  • Any solo work by a 17th-century composer
  • Two contrasting movements from an 18th-century sonata

Baroque Viola

  • Two movements of unaccompanied Bach, either from the violin sonatas and partitas or from the cello suites
  • Two contrasting movements from an 18th-century sonata

Harpsichord

  • A work by J.S. Bach
  • A work by a French Baroque composer
  • A work from the 17th century
  • A work of the applicant’s choice

Recorder

  • A sonata by Handel or Telemann
  • A theme and two variations by van Eyck
  • Two movements from a French Baroque suite
  • A work of the applicant’s choice

Renaissance Lute

  • A work by John Dowland
  • A work by Francesco da Milano
  • A work of the applicant’s choice

Theorbo

  • Two contrasting movements of Robert de Visée
  • Two contrasting movements of 17th century Italian music

Voice

  • Pre-screening is required for Regular Decision only. Requirements:
    • Undergraduate
      • Three classical selections required, at least one should be in English and one in a foreign language.
      • Selections must be memorized and should show a variety of styles and tempi.
    • Graduate
      • Two arias and a song (one in English) is required.
  • Audition requirements follow those of the MM in Voice, except:
    • 4-5 of the eight required selections must be written before 1800
    • A Gregorian chant and at least one selection from the Renaissance should be included

Viola da Gamba

  • One ricercar from Diego Ortiz: Tratado de Glosas
  • One prolusio or a set of divisions from the “Divisions for the practice of Learners” in Christopher Simpson: The Division Viol (Part III)
  • Two contrasting movements by a composer such as Abel, Marais, Schenk, Telemann, or comparable.
    • Applicants for graduate degrees should additionally prepare two contrasting movements by a second composer.

Artist Diploma

AD applicants must prepare a program of no less than 70 minutes duration, including at least two large-scale works.