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Regarded as among the world’s elite training grounds for more than a century, the department of composition at Peabody is one of the most sought after programs of its kind in the world.

As a division of The Johns Hopkins University, Peabody takes its place alongside the institution’s other internationally renowned centers of research and learning, shaping the role of music in the 21st century.

Current faculty members are among the most honored composers working today. Their works have appeared internationally with major orchestras, ensembles and soloists across the globe, among them the New York Philharmonic, Los Angeles Philharmonic, Cleveland Orchestra, Seattle Symphony Orchestra, Atlanta Symphony, Dallas Symphony, Baltimore Symphony Orchestra; the Minnesota Opera; the London Sinfonietta, String Soloists of the Berlin Philharmonic, Bang on a Can All-Stars, MusikFabrik, So Percussion, and Ensemble Klang; and festival appearances around the world.

They continue the tradition of great composers past who have served on the Peabody faculty over the generations – composers including Henry Cowell, Nadia Boulanger, Elliot Carter, Peter Mennin, Ernst Krenek, Benjamin Lees, Earle Brown, Hugo Weisgall, Jean Eichelberger Ivey, Robert Hall Lewis, George Walker, Moshe Cotel, Chen Yi, Christopher Theofanidis, and Nicholas Maw. The commitment to creating the ideal environment for the composers of tomorrow continues today.

Peabody composition alumni can be found teaching at elite institutions across the United States and abroad, and are regular winners of prestigious fellowships and competitions. Over just the past few years Peabody students have been Fulbright Fellows, Carnegie Hall Commission recipients, the American Composers Orchestra Underwood Commission recipients; participants of the Minnesota Orchestra Readings Program, the Cabrillo Music Festival Program, the Silk Road Project, and the ACO/Nashville Symphony Orchestra Reading Program; and winners of prizes including the American Society of Composers, Authors and Publishers top award — the Nissim Prize, ASCAP Morton Gould Young Composer and BMI Student Composer Awards. Alumni of Peabody’s composition department are Guggenheim Fellows, Rome Prize Fellows, Barlow Prize and Berlin Prize recipients; recipients of Fromm Foundation Awards, prizes from Darmstadt and Gaudeamus, among many, many others.

Faculty

Oscar Bettison

Described as possessing “an unconventional lyricism and a menacing beauty" and a “unique voice,” British/American composer Oscar Bettison's work demonstrates a willingness to work within and outside the confines of concert music.

Du Yun

Du Yun, born and raised in Shanghai, China, currently based in New York, is a composer, multi-instrumentalists, performance artist, curator, working at the intersection of orchestral, opera, chamber music, theatre, cabaret, pop music, oral tradition, visual arts, electronics and noise.

Michael Hersch

Widely considered “one of the most fertile musical minds to emerge in the U.S. over the past generation,” (The Financial Times of London), Michael Hersch continues to compose music of tremendous power and invention.

Felipe Lara

Praised by the New York Times as "a gifted Brazilian-American modernist" whose works are “brilliantly realized”, “technically formidable, wildly varied”, and possess “voluptuous, elemental lyricism”, Felipe Lara’s work — which includes orchestral, chamber, vocal, film, electroacoustic, and popular music—engages in producing new musical contexts.

Kevin Puts

Winner of the 2012 Pulitzer Prize for his debut opera Silent Night, Kevin Puts has been hailed as one of the most important composers of his generation. Critically acclaimed for his distinctive and richly colored musical voice, his works have been commissioned, performed, and recorded by leading orchestras, ensembles and soloists.

Nina C. Young

New York-based composer Nina C. Young writes music characterized by an acute sensitivity to tone color, manifested in aural images of vibrant, arresting immediacy. Her experience in the electronic music studio informs her acoustic work, which takes as its given not melody and harmony, but sound itself, continuously metamorphosing from one state to another.

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Peabody Faculty Artists

Oscar Bettison