Award-winning cellist, Ismar Gomes, has performed internationally as a chamber musician, and soloist. Hailed for his “impressive virtuosity, energy, and a handsome tonal range” (Berkshire Review), he has established himself as a captivating young artist, delivering exciting and innovative performances.​

Recent appearances have taken Dr. Gomes to four continents including performances at the Walla Walla Chamber Music Festival, Evolution Contemporary Music Series, Le Petit Salon, Luan Huan Shan Glades Music Festival, Early Music at St. Mark’s, and many more. His recent chamber music collaborators include members of the Pittsburgh and Baltimore Symphonies, the Saint Paul Chamber Orchestra, as well as members of the Johannes, and Brentano Quartets. Also in demand as an orchestral player, Dr. Gomes is a frequent substitute player with the Baltimore Symphony, and is a former member of both the Virginia and Richmond Symphonies.

Over a decade ago, Dr. Gomes and pianist Wan-Chi Su founded Duo Sorolla, which has appeared on distinguished series across the US. Besides their focus on the rich, historic repertoire for cello and piano, the Duo has worked with many outstanding composers – including Aaron Malone, William H. Weigel, George Walker, Ying-Chen Kao and Aaron Jay Kernis – to produce and perform their works. Ismar is also a respected baroque cellist, a capacity in which he has performed for over a decade. In 2012 Dr. Gomes co-founded Arioso Furioso, a baroque ensemble based in New York and later in 2018, Ismar joined Mélomanie, an ensemble that pairs early music and contemporary works on period instruments. Three albums of newly recorded works written especially for Mélomanie by Richard Belcastro, Larry Nelson, Robert Maggio, Suzanne Sorkin, and more were released in 2020.

Always engaged in performing and commissioning new works, Dr. Gomes has presented 50+ world premiere performances. In 2014 Dr. Gomes made the premiere recording of a chamber opera by Pulitzer Prize winner, David Lang performing with the Harlem Quartet and guest artists; the recording was a Grammy nomination finalist. Next season, Ismar will give the premiere of a new concerto written for him, by James Lee III.

Teaching is a central component in Dr. Gomes’ musical life. He recently served as Visiting Assistant Professor of Cello at Luther College in Iowa, and is presently on faculty at Gettysburg College, George Mason University, and Washington Adventist University. He was formerly faculty and guest artist for StringFest at Merkin Hall, Performing Arts Institute at Wyoming Seminary, CIM Summer Chamber Music, and Young Artist at the Three Bridges International Music Festival – he is currently a Faculty Artist at the Rushmore Music Festival, the Leon Fleisher Academy, and CelloSpeak. Dr. Gomes has recently been invited to present masterclasses at several universities including Georgetown, Towson, Ball State, and Duke. His students have been invited to perform in masterclasses for major artists, and have been accepted to many of the top Festivals and Conservatories around the world.

Ismar attended the Peabody Conservatory, studying with Alison Wells and Amit Peled. Previous teachers include Marc Johnson and Clive Greensmith of the Vermeer and Tokyo Quartets. He earned his Doctor of Musical Arts Degree from Stony Brook University, under the tutelage of Colin Carr. Dr. Gomes has appeared in masterclasses for eminent cellists including Steven Doane, Janos Starker, Steven Isserlis, Gary Hoffman, Pieter Wispelwey, and Miklos Perenyi, and was mentored in chamber music by the Vermeer, Jerusalem, Juilliard, and Emerson String Quartets.