Bass clarinetist, composer, and bandleader Todd Marcus is one of the few jazz artists worldwide to focus their work primarily on the bass clarinet.

Though use of bass clarinet in jazz typically leans heavily towards avant-garde and free-jazz styles, Marcus’ straight-ahead playing has carved out a unique voice for the instrument in modern jazz. His playing and compositions swing with fiery intensity balanced with delicate introspection.  His music offers a strong melodic sensibility, draws from elements of his community work, and often incorporate the Middle Eastern influences of his Egyptian heritage.

Marcus has annually been voted a Rising Star in Downbeat Magazine’s Annual Critics Poll and The New York Times writes, “Mr. Marcus is probably the most inventive bass clarinetist working in straight-ahead jazz today…[and] lives in Baltimore, where he is a guiding light on the city’s jazz scene who doubles as an activist and organizer.”

Marcus actively leads small ensembles such as the Todd Marcus Quintet, Quartet, Trio, and Duo as well as his nine piece Jazz Orchestra on original compositions and jazz standards. He also offers clinics and master-classes that focus on jazz, composition, music business, and the incorporation of other cultural music with jazz.

Self taught in jazz theory and composition, Marcus’ compositions draw largely on straight-ahead jazz and classical influences but over recent years have also increasingly explored the Middle-Eastern sounds from his Egyptian heritage.  He has worked with other jazz artists such as Gary Bartz, Bennie Maupin, Don Byron, Larry Willis, Gary Thomas, Joel Frahm, Tim Warfield, Ralph Peterson, Warren Wolf, Sean Jones, and Orrin Evans.

Marcus’s work includes regular performances in Baltimore, Washington DC, New York, and Philadelphia as well international performances, clinics, and radio play. He was a featured artist in 2017 Jazz Tales Festival in Egypt, 2015 Cairo Jazz Festival in Egypt, and in 2005 at the 1^st World Bass Clarinet Convention in Rotterdam, Holland.

Marcus balances his music career by running Intersection of Change, a nonprofit addressing poverty related issues in his Baltimore neighborhood.  The organization runs a community arts program for all ages, a recovery program for women overcoming drug addiction, an urban farm, and has achieved significant community revitalization by renovating abandoned building and vacant lots.