Ted Moore (he / him) is a composer, improviser, and intermedia artist whose work fuses sonic, visual, physical, and acoustic elements, often incorporating technology to create immersive, multidimensional experiences.

After completing a PhD in Music Composition at the University of Chicago, Moore served as a postdoctoral Research Fellow in Creative Coding at the University of Huddersfield as part of the ERC-funded FluCoMa project, where he investigated the creative potential of machine learning algorithms and taught workshops on how artists can use machine learning in their creative music practice. Moore has continued offering workshops around the world on machine learning and creativity including at the University of Pennsylvania, Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University, and Music Hackspace in London.

Moore’s music has been presented by leading cultural institutions such as MassMoCA, South by Southwest, The Walker Art Center, and National Sawdust and presented by ensembles such as Talea Ensemble, International Contemporary Ensemble, the [Switch~ Ensemble], and the JACK Quartet. Moore has held artist residences with the Phonos Foundation in Barcelona, the Arts, Sciences & Culture Initiative at the University of Chicago, and the Studio for Electro-Instrumental Music (STEIM) in Amsterdam. His sound art installations combine DIY electronics, embedded technologies, and spatial sound have been featured around the world including at the American Academy in Rome and New York University.

Computational thinking and digital tools enrich all aspects of Moore’s work, which has been described as “an impressive achievement both artistically and technically” (VitaMN). Creative coding spans the aural, visual, and procedural aspects of his practice revealing musicality in data and computation. Using tools such as SuperCollider, Max, C++, openFrameworks, Python, and computer vision and machine learning algorithms, Moore codes custom software for generative composition and live performance that intimately connect gesture and form across various media.

Ranging from concert stages to dirty basements, Moore is a frequent improviser on electronics and has appeared with dozens of instrumental collaborators across Europe and North America including on releases for Carrier Records, Mother Brain Records, Noise Pelican Records, and Avid Sound Records. Described as “frankly unsafe” by icareifyoulisten.com, performances on his custom, large-scale software instrument for live sound processing and synthesis, enables an improvisational voice rooted in free jazz, noise music, and musique concrète.

Interdisciplinarity catalyzes the diversity of Moore’s own practice by bringing him into collaboration with creative thinkers of differing backgrounds, such as theater-makers, choreographers, dancers, and software engineers. Moore has worked with independent theater companies, creating collaboratively devised intermedia works notably with Skewed Visions and Umbrella Collective in Minneapolis, creating original music, sound design, and video art.

As a dedicated teacher, Moore has taught music and creative technologies in a variety of settings, including at the Peabody Institute, Yale School of Music, Connecticut College, University of Chicago, Virginia Tech University, The Walden School, Slam Academy, MacPhail Center for Music, and McNally Smith College of Music. Moore’s teaching creates inclusive learning environments that develop individuals’ creative voices while also fostering creative, supportive communities.

Moore currently lives near New Haven, Connecticut, but might also be found hiking in nearby West Rock State Park or on the side of a mountain in Summit County, Colorado.