A musicologist, Protano-Biggs is currently completing her first book, Architectural Destiny: Opera and the Built Environment. This book examines the teatro all’italiana—the horseshoe structure that was the architectural model for thousands of theaters across the world in the nineteenth century. With a focus on three main themes – “Surfaces” – “Atmosphere” – “Acoustics” – the book makes a case for the teatro all’italiana as a medium, an environment, that determined what it meant to compose, to feel, to listen. In turn, it demonstrates that however much the auditoria of these theaters feel like self-enclosed worlds, the teatro all’italiana, like all architectural structures, irrepressibly impacted locations far removed in time and space. From the subterranean quest for colors with which to adorn their interiors to the environmental consequences of their mass construction, these theaters serve as a reminder that even in the auditorium of the teatro all’italiana—its ‘inner sanctum’—the outside world and its geopolitics was ever on show.
Protano-Biggs was the recipient of a 2018 Johns Hopkins Catalyst Award to enable work on her first book. In 2019 Protano-Biggs was Visiting Assistant Professor in Musicology at the University of Pennsylvania. In 2022 she will be a Visiting Fellow at the University of Cambridge (St. John’s College), working on her second book Skin: Musical Encounters at the Surface.
Protano-Biggs is committed to the crafting of scholarship that is accessible to a broad public, and is always pleased to hear from arts organizations looking to further outreach. Recent collaborations include talks for the Washington National Opera, Opera Philadelphia / FringeArts and the Shriver Hall concert series.
Protano-Biggs also has broad teaching interests and encourages students who would like to work with her to be in touch. Students are also encouraged to work with her in one of the several courses she offers. Recent seminars have included Sound Studies, Current Trends in Musicology, Buildings for Music: Theorizing Musical Infrastructures, Technologies in the Concert Hall and Opera House and Vocal Contests.
PhD in Music History and Literature, University of California, Berkeley
MPhil in Musicology and BA Hons in Music, University of Cambridge
Protano-Biggs initially trained as a flautist under the tutelage of Raffaele Trevisani in Milan.
Architectural Destiny: Opera and the Built Environment, in preparation
Journal Articles and Reviews
“Poetics of Musical Infrastructures,” Cambridge Opera Journal, forthcoming.
“Garibaldi,” “Cavour,” “Mazzini,” “Maria Luigia” and “VIVA V.E.R.D.I,” in Montemorra Marvin ed., The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013).