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February 10 | 2:30- 3:30 pm ET

The panel will discuss the impact of the pandemic on the industry through the lens of arts funders, whose influence often drives program development.


Ben Cameron

Ben CameronBen Cameron, President of the Jerome Foundation, was Program Director for the Arts at the Doris Duke Charitable Foundation (2006-15), where, during his tenure, the Foundation created the Doris Duke Artists Awards and received the National Medal of the Arts from President Barack Obama. He previously served as the Executive Director of Theatre Communications Group, as the Senior Program Officer for the Dayton Hudson Foundation and Manager of Community Relations for Target Stores, and as the Director of the Theater Program at the National Endowment for the Arts. He received an MFA from the Yale School of Drama, a BA with honors from UNC-CH and is a recipient of three honorary degrees. He currently serves on the Board of Directors for the Minnesota Council on Foundations.

Anita Contini

Anita ContiniAnita Contini joined Bloomberg Philanthropies in 2010 as the Arts Program Lead.  Through the Arts Program, Bloomberg Philanthropies helps small and mid-size cultural organizations strengthen long-term organizational capacity, supports temporary public art projects that enrich the vibrancy of cities, and helps leading cultural institutions globally implement cutting-edge technology projects that transform visitor experience. Bloomberg Philanthropies also collaborates with some of the nation’s top foundations, federal agencies, and banks to invest in projects where artists and arts organizations play a central role in shaping their communities’ social, physical, and economic future.

Contini currently serves on the boards of the Center for Curatorial Leadership, The Drawing Center, DataArts, Grantmakers in the Arts, and Publicolor.  She is on the Operating Committee for ArtPlace America and a member of ArtTable.

Susan Feder

Susan FederSusan Feder is a program officer in the Arts and Culture program, with responsibility for performing arts and related organizations. Working within ACH, across the Foundation’s other program areas, and with leading national and regional arts service organizations, she has helped oversee a broad diversification of ACH’s portfolio and range of supported activities. Before joining the Foundation, as vice president of the music publisher G. Schirmer, Inc., she developed the careers of many leading composers in the United States, Europe, and the former Soviet Union. Earlier in her career, she was editorial coordinator of The New Grove Dictionary of American Music (1986), program editor at the San Francisco Symphony, and an award-winning freelance writer on music. Feder obtained degrees in musicology from Princeton University (where she currently serves on the Music Department Advisory Council), and the University of California, Berkeley.

Feder is vice president of the Amphion Foundation; sits on the boards of Grantmakers in the Arts, the Kurt Weill Foundation, and the Charles Ives Society; and is on the Advisory Council for the Mosaic Fund. Her honors include the Concert Music Award from the American Society of Composers, Authors, and Publishers (ASCAP), for which she was described as “Publisher, Advisor, Friend, and Champion,” an ASCAP-Deems Taylor Award for her program notes, and Musical America’s Profiles in Courage award (2014). She is the dedicatee of John Corigliano’s Pulitzer-Prize winning Symphony No. 2, Augusta Read Thomas’s Helios Choros, and Joan Tower’s Dumbarton Oaks Quintet.