Described as possessing “an unconventional lyricism and a menacing beauty” and a “unique voice,” British/American composer Oscar Bettison’s work demonstrates a willingness to work within and outside the confines of concert music. His music has been featured and reviewed in the Los Angeles Times, The New York Times, and the British, Dutch, and Italian press, as well as having been played on radio throughout the U.S., Australia, Britain, The Netherlands, and Brazil, and on British and Dutch television. His latest work has been described as “pulsating with an irrepressible energy and vitality, as well as brilliant craftsmanship.”
Recent commissions include new works for: Asko-Schoenberg, Alarm Will Sound, the Los Angeles Philharmonic New Music Group, MusikFabrik, a New York Philharmonic commission for their inaugural Biennial, Tanglewood, Berkeley Symphony, Ensemble Klang, Talea Ensemble, Slagwerk Den Haag, So Percussion, and the Bang on a Can All-Stars. Recent projects include a string quartet for the Festival of New Music at Tanglewood and an evening-length work for Michaela Riener, Ensemble Klang, and the Mantangi Quartet which was commissioned by the Dag in de Branding Festival in the Netherlands, where he was composer in residence.
He has been the recipient of a number of awards including a Guggenheim Fellowship, a Johns Hopkins “Catalyst” Faculty Award, a Chamber Music America Commissioning Award, the Royal Philharmonic Society Prize, and the first “BBC Young Composer of the Year” Prize. He was a fellow at both the Tanglewood and Aspen Music Festivals.
Born in the U.K., he studied with Simon Bainbridge at the Royal College of Music (London), with Louis Andriessen and Martijn Padding at the Royal Conservatorium of The Hague (The Netherlands), and at Princeton University where he completed his PhD with Steve Mackey as his advisor. He has served on the Composition Department at Peabody since 2009.